Allow all diplomats to craft tons of cunningly noble documents;
Let us - we, the poets, painters, musicians, dancers and dreamers -
Come forward to celebrate Love of creativity in humanity ...”
It was indeed the above passionate inner awakening - adopted as a resolution at the SAARC Writers Conference in April 2000 - which became the motivational mechanism for ‘an immaculate conception’ of the noble idea resulting in the ‘natural birth’ of Foundation of SAARC Writers and Literature (FOSWAL). The chosen person by the Destiny of SAARC for the instrumentality of this challenging task was the steel-willed Ajeet Caur - born (in 1934) in legendary Lahore, with her new nest in New Delhi. She had been cherishing for years the dream of a forum of friendship for all the writers and artists who had been desperately ‘dying’ to come together in friendship and goodwill and restore the disrupted emotional human bonds of the civilizational harmony of South Asia.
Ajeet Caur, a powerful voice in Punjabi literature and a formidable activist for legitimate cultural causes, had known how to persist and push in the intricate corridors of bureaucratic and political power for opening the windows of opportunities for the writers and artists of South Asia to chirp together. To quote her, “Times were turbulent in the SAARC region... Peace in these disturbed times is always a mad dream... (but her endeavors) grew into a full-fledged movement over the years, maturing into the first ever SAARC Writers Conference in April 2000... laying the foundation of cultural connectivity through interaction of creative minds and paving way for understanding and respecting the ‘otherness’ of others... FOSWAL was elevated to Apex Body at SAARC at the Summit in January 2002.”
Thanks to the lifelong commitment, vision and devotion of Ajeet Caur - honored with Padma Shri for her role - FOSWAL has admirably organized - in India and other SAARC countries - 42 Major cultural and literary festivals. The themes have included the seminal subjects of Buddhism, Sufism, Folklore, gender-bending, environment, etc., inviting eminent and promising writers, artists and activists of different persuasions. The medium of films, theatre, visual / performing arts have also been promoted. An ambitious program of translations and publishing of anthologies of poetry and other categories of literature in the eight SAARC countries has been a great success. The quarterly SAARC journal Beyond Borders has earned a great reputation for the range and quality of its contents. Meanwhile the FOSWAL has kept commissioning eminent scholars to edit region, language, topic and literary genre specific anthologies of writings from all the SAARC countries. The SAARC Library of Literature is another pioneering effort of FOSWAL.
I was assigned the duty of chairing the second session after the inauguration involving the presentation of academic papers on the theme of the Conference - ‘Environmental and Ecological Concerns in Literature’. Prof. Samantha Herath of Sri Lanka and Dr Sudipto Chattopadhyay presented extremely competent papers along with several other participants. Chattopadhyay quoted Tagore, “Looking at the grass-covered quivering earth / in the new light of the harvest month... I search my soul...”. The poet from (land-locked) Nepal, Momila (B.1967) celebrated Himalaya and the rivers in her poetry, “My life is a life of river / calling for open seas. / Your song is song of river/ calling for open seas.” It was nice to meet the young Punjabi poet Gurprit; the celebrated Surjit Patar and Dr Kewal Dhir who added hue of Punjab in this colorful cultural festival. Distinguished poet - diplomat Abhay K., presently posted in Kathmandu, recited his recent poems dwelling on the subtle themes of nature.
The most impressively colorful and the most soulfully committed caravan of SAARC - consisting of its conscience keepers, community of its writers and artists - chose to meet and deliberate in the historic city situated on the legendary Yamuna. It is known the world over for Emperor Akbar’s visionary concept of ‘Sulahe Kul - Understanding among All’ and his grand-son Shah Jahan’s monument of eternal love. They all had prayers on their lips and noble thoughts in their minds for the lasting peace and prosperity of people of South Asia representing a quarter of humanity and concentrated in just four percent piece of land of planet earth!